Dear Partners in Ministry,
Happy June! In what might be a first for me, I don't have any news or announcements for you this week, so enjoy this bit of music-meets-language trivia:
Whether we've used it extensively in other choirs or only know it from The Sound of Music, we've all had some degree of experience with solfège, or solmization—the identification of a pitch as a degree on a scale by a syllable (do, re, mi, etc) rather than by letter name. This system is one of the oldest instructional tools in all of Western Music, created by a musical monk named Guido Monaco, or Guido d'Arrezzo (b. ca. 991/92—d. after 1033). Guido was a pioneering musical theorist (fun fact: he was the first known musician to propose arranging pitches on a multi-lined staff), and his pursuit of codifying musical notation led him to invent the concept of solmization as a means of training the ears of his choristers.
Guido's method centered around the widely known hymn, Ut queant laxis; the first tone of each line of this melody raises by one step from the previous line, which provided a familiar framework for associating pitches and their relative place in a scale. He taught his singers to refer to these pitches by the syllable of the hymn text sung on them: ut, re, mi, fa, sol, and la (ti came later). Eventually, this "Guidonian Method," which became a staple of Medieval musical training, expanded to a compass of nearly three octaves— the combined range of his choirs. The lowest pitch, G below low C, was symbolized by the Greek letter gamma; the top pitch, E above high C, would be sung on ut. Over time, this compass of notes (from gamma to ut) became known by a contraction of the two syllables, which itself became a term for a complete course of actions or options.
So, the next time you "run the gamut" in a work or personal endeavor, be sure to give Guido a shout-out.
Reminder: Summer Sing Session Signups
Thanks to everyone who has already signed up for Sing Sessions this July. Visit this URL to claim a spot: https://www.signupgenius.com/go/10C084DAEA62FA7F8C52-sing
NEXT REHEARSAL: JUNE 29
THIS WEEK IN LITURGY
RITUAL AND SERVICE MUSIC · ORDINARY TIME (SUMMER)
Glory to God (June): BB 875 · JS 176 · Mass of Renewal: Glory to God (Stephan)
Gospel Acclamation: BB 946 · JS 264 · Celtic Alleluia (O'Carroll/C. Walker)
Eucharistic Prayer Acclamations: BB 885-887 · 1.001 · Mass of Creation (Haugen)
Lamb of God: BB 952 · JS 789 · Lamb of God/Taste and See (Kendzia)
JUNE 11 · The Most Holy Body and Blood of Christ
Gathering: BB 304 · JS 771 · Our God Is Here (Muglia)
Responsorial Psalm: WA · 2.019 · Ps 147: Praise the Lord, Jerusalem (Ward)
Preparation of the Gifts: BB 341 · JS 793 · One Bread, One Body (Foley)
Communion: BB 359 · 3.061 · Take and Eat (Joncas)
Sending Forth: WA · JS 599 · Halleluya! We Sing Your Praises (South African)
LOOKING AHEAD
JUNE 18 · Eleventh Sunday in Ordinary Time
Gathering: BB 568 · JS 593 · Lift Up Your Hearts (O’Connor)
Responsorial Psalm: BB 432 · JS 620 · All the Earth (Deiss)
Preparation of the Gifts: BB 477 · JS 689 · Shelter Me, O God (Hurd)
Communion: BB 404 · JS 652 · This Alone (Manion)
Sending Forth: BB 387 · 3.026 · The Summons (KELVINGROVE/Bell, arr. Fisher)
JUNE 25 · Twelfth Sunday in Ordinary Time
Gathering: BB 448 · JS 675 · For You Are My God (Foley)
Responsorial Psalm: BB 626 · JS 829 · The Cry of the Poor (Foley)
Preparation of the Gifts: BB 472 · JS 696 · In Every Age (Whitaker)
Communion: BB 461 · 2.010 · Ps 23: Shepherd Me, O God (Haugen)
Sending Forth: BB 693 · JS 557 · The Lord Is My Light (C. Walker)
MORE SELECTIONS
Ordinary Time II (Summer: June 4–August 27, 2023)
https://docs.google.com/spreadsheets/d/1nNU93zheq97uSEz8pBVYvaDqcHU1qfyVGYp_flUA0UE/edit?usp=sharing